Come on in.I was born in 1961. I love pop culture.
I'll tell you the true whether I knew or not.
(Mel Brooks)
Final scene from Orson Welles’ The Third Man (1949).
Saw the book yesterday. I didn’t know there was a book.
But I bought another one that rates this scene as one of the most innovative and ambitious for its time.
The soundtrack was composed and played by Anton Karas on Zither, which is a weird miniature Austrian mix between a guitar and harp. The film’s main theme came to be one of the most famous tunes of the century!
eyb:
There’s a scene at the end of the movie when George Clooney’s character, myself, my cousin and the opossum, Kylie, are all on a little motorcycle driving back to our home. And we’ve just rescued my cousin. And we stop and we see a wolf on a distant hill, and it’s a really beautiful, beautiful scene. It’s like so heart-warming because it’s just a beautiful moment between these foxes and little animals and this really like mysterious wolf who we’ve heard about the entire movie and who doesn’t talk in this scene and he’s not wearing clothes. He’s kind of, he represents I guess, the wild. He’s a wild wolf and animal, and it’s a beautiful moment where they have this great connection, and in that moment, it really like to me the point of that scene is let’s keep on being free. Let’s keep on being animals. And it’s such an uplifting moment, and like when I’ve seen it with audiences, a bunch of people break into huge cheers and hooting. It’s such an awesome, awesome scene. It really just blows my mind.
…
Anyways, one day when we were doing this particular scene with this wolf, we were all about to shoot it and then Wes said, you know we should really get someone to play the wolf so that the guys have someone to act opposite, and we looked around and Bill Murray was standing there with his hands in his pockets. He took his hands out and said, “I can be the wolf.” And Bill Murray just took off running, or I guess trotting. And he ran, ran, ran, ran really far away until he was tiny. And he turned around and actually became the wolf, like he, it’s almost as if he embodied the wolf. And he acted it out for us, and it was so inspiring and so beautiful. And Wes actually took out his camera phone, filmed it, and then sent that footage to the animators to base the wolf off of Bill Murray, so Bill Murray is the uncredited wolf in this movie. And he actually, it was so good, it was as if he practiced it. I mean, it was incredible, his wolf performance. So, I think because of what the scene means, what it represents in the movie and the great warm message that it has in the scene, plus knowing the behind the scenes, what went into that scene, I think that’s my favorite scene in the movie.
(via eyb)
Seria você Fitzcarraldo?
